Alone For The Viva

Consider the movie Home Alone and the PhD viva, two very different things:

One of these things is a story about someone preparing to face two determined professionals in advance of a really important day. A particularly talented protagonist uses everything they know to be ready for the challenge ahead. They face uncertainty and mixed feelings about the situation, but very quickly become prepared despite a tight deadline. In the end, the challenge is resolved quickly and positively thanks to the protagonist’s talent and their preparations.

And the other thing is the movie Home Alone.

It’s The Thought That Counts

For Christmas gifts, even if the present is not quite what you wanted, when someone gives you something it really is the thought that counts. Someone took the time to think about you and wanted to do something that’s nice. It’s not quite right but it’s the thought that counts.

The same sentiment isn’t true for viva prep.

There’s lots of thinking involved – reading your thesis, rethinking as you check papers , considering what matters as you write a summary – but thinking alone isn’t enough for the viva. You have to speak. You have to engage with your examiners’ questions and respond.

You have to think to get ready but you also have to talk: mock vivas, conversations with friends and seminars could all be great ways to improve your confidence for engaging in the viva.

Simply thinking for your prep won’t be enough.

Selecting Examiners

I like things to be just right. I’m not fussy, I’m particular.

Which means I’m never satisfied by Christmas selection boxes: a collection of chocolate bars in one festive package. My grandmother would say, “You mustn’t eat them all at once or you’ll spoil your appetite!”

Well, I couldn’t eat them all at once. Because I didn’t like the bars with nuts in. And I wasn’t keen on the chewy one. And that other one has a funny texture…

So many treats aren’t to my taste even though there’s nothing wrong with them. I’ve not found a selection box that is just right for me.

For similar reasons I think many capable examiners would feel unsuitable for any candidate. There’s nothing wrong them, but their selection would feel wrong.

There are no universal criteria for good examiners. There are criteria that academics must satisfy  – a length of time in post or level of experience – but after that everything comes down to personal taste of the candidate.

Have you cited your examiners? That could feel right for some but not for others. Are they an expert in your field? A lot of candidates could find that scary! A friend of your supervisor? Is that really the best thing to focus on?

So much of what would make an examiner feel right to a candidate comes down to what matters to the candidate.

Fundamentally, you can’t choose your examiners but you can talk with your supervisor. You can make a case for what you think would work well. Reflect in advance on what you would ideally like.

  • What are you really looking for?
  • What criteria would make for someone who is close to perfect?
  • How do you find academics who meet your requirements?

Your supervisor will ultimately nominate your examiners but you can put forward ideas for the kinds of people who would be just right for you. Be particular.

Find the best selection for you.

Show Your Working

These three words were drilled into me in my former life as a mathematician. In solving a maths problem it wasn’t enough to find an answer, I had to show how I had got there. I couldn’t claim a result without proof.

“Show your working” is important for PhDs more generally, not just for low-dimensional topologists!

Postgraduate researchers show their working in their thesis, but then also in the viva. They have to explain their thinking, share the knowledge they have and demonstrate their ability.

A viva isn’t only about reciting facts. You have to show your working – but of course, by this stage, you must have a lot of experience doing that. Preparing for the viva is partly reviewing those experiences, and partly practising doing it one more time.

Show how you’ve worked in your viva – and show once again how you can do the work.

Facts, Opinions, Hunches

I know. I think. I feel.

There’s a place for all in the viva, potentially.

Some questions will hit a target made up of facts. Things you know. Things you have discovered.

For some questions you weigh up information against your experience and knowledge. You think and offer what you think is appropriate. Perhaps someone else could think differently.

Then you could be asked a question and you don’t have an answer. You have nothing to weigh up. Instead you could offer what your gut feeling says. A hunch you can’t shake. This could be right or wrong – and there might be no way of anyone knowing.

You can know, think or feel in the viva. In all cases you have to be clear. Be clear with what you’re saying to your examiners. Be clear in your own mind so that you don’t confuse yourself.

Listen to the question, pause and then see: do you know, think or feel your response?

Look To Your Community

You have many people around you who could give support as you get ready for your viva.

Ask your supervisor for help. Ask early in case they’re busy. Be clear so that they can support you. Check their availability to show you respect their time.

Ask your colleagues about their vivas. Explore common elements of viva stories to get a sense of what to expect. Find out if anyone has time to listen to you talk about your work or ask you questions.

Tell friends and family what you’re going through. A lot of viva prep work is all down to you but others can provide practical support to help you work well.

In the viva, you’re the only person who can engage with your examiners. Before then there are lots of people in your community who can help you get ready.

Ask for the help you need.

In-Person or On-Video

It used to be that an in-person viva was the right way to have a viva. Video vivas were anomalies, rare arrangements made out of necessity.

Then they were the necessary arrangement. For a time they were the only way of doing things.

 

And now some candidates might have choice over which format they would like for their viva. Which brings a new question: is it better to have an in-person viva or an on-video viva, if the choice is put before you? What are the pros and cons?

Having thought about it I don’t think there are negatives to either. They’re just different. The viva is the viva: a different medium allows some things and not others. It makes some aspects less of a challenge perhaps, but neither format is worse.

An in-person viva allows you to make more of a connection perhaps. It would be the best situation if you were looking to build a connection with your examiners.

A video viva would allow you to control the space that you’re in. You could make an environment that you would feel comfortable and confident in.

These are my general thoughts – of course, it’s a negative to you if you don’t like having a meeting over video. Or it’s a negative if meeting in public is something you don’t want to do just now.

Then you have to think: what are your pros and cons? How do you weigh it up?

A viva is a viva, in-person or on-video. If you have the choice, reflect on how you feel and consider how you could make the most of the opportunity of your viva.

No Big Questions

Let’s forget ideas of “big” questions in the viva. There are no small questions either. Instead all questions are important. Each question is an opportunity you’re being given to demonstrate something:

  • Something you know.
  • Something you did.
  • Something you can do.

You can prepare effectively for responding to every question. Read your thesis, check what you need, rehearse. Then show up on the day, ready to listen, breathe and take your time.

Show up with the idea that all questions are important and you can respond to anything that is asked.

Dressing Your Ideas

I’m a huge Hercule Poirot fan.

I’ve read most of the novels by Agatha Christie. I love the many adaptations featuring David Suchet. Indeed, this isn’t the first time that I’ve exercised my little grey cells to write a post with the Belgian Detective in mind.

For our recent anniversary my wife bought me a little book of Poirot quotes. The first quote listed in the book really resonated with me:

“Words, mademoiselle, are only the outer clothing of ideas.”

I like this. Words express ideas; they’re not the ideas themselves. When one responds to a question – say, in the viva – one has to choose words to help express the idea one wants to share. Words are only the outer clothing though. It’s important then to pick them carefully when responding to a question.

Practise or rehearsal before the viva can help a lot. Time spent reflecting on fundamental concepts or the findings of your research can help you to share your ideas effectively.

Exercise your little grey cells in preparation and you’ll be rewarded when you make the same efforts in the viva.

The Wrong Ideas

Candidates sometimes have the wrong idea about the viva.

They expect that they’re an inch away from failure.

They think it could be a lawless free-for-all where examiners can do and ask anything.

They sometimes believe it’s a terribly high bar to clear, that too much will be demanded from them.

Or they sometimes think that because most candidates pass that the viva itself is a trivial exercise.

There are lots of ways you could get the wrong ideas about the viva. The simplest way to find some right ideas is to learn more. Don’t build your ideas of the viva on doubts, worries and half-truths. Learn about what they are like. Ask people who have passed, rather than rely on rumours. Read the regulations. Talk with your supervisors.

The right ideas about the viva will give you a sense of what to expect, what happens in your department and institution, how people experience them – and give you right ideas for what you can do to get ready.

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